"I'll just say baby-making mood," says Williams, music director for the nationally syndicated Tom Joyner Morning Show. It made me feel good."Īnd what sort of mood could Vandross put you in? Stephanie Williams says she needs to censor herself to answer that question. "It was smooth to the touch, easy to feel, wonderful to look at," Warwick says. "When I heard Luther's voice, I heard peace. Before long, some of the singers Vandross idolized growing up became fans of his - including Warwick, who describes Vandross' voice as a piece of velvet. When Vandross went solo, Miller wanted in on the action. They worked together for more than 20 years, co-writing songs and co-producing albums together. Miller says it was then that he became a fan of singing - and a fan of Luther Vandross. She's going to add it right now, for drama.' And I was like, 'Whoa, this is like playing an instrument. "He'd say, 'OK, now listen to Dionne ,' " Miller says of Vandross. Vandross first met bass player Marcus Miller when they were both in Roberta Flack's band. Miller says Vandross was a "connoisseur of background singers." Like Vandross, Miller was one of the most in-demand session musicians at the time, so he and Vandross were always bumping into each other. Miller says he was 17 or 18 when they first met. Vandross' vocal instrument was supremely fine-tuned, controlled and yet effortless. That breezy quality was something Vandross perfected during the years he spent as a background vocalist for some of the biggest stars of the 1970s: Bette Midler, David Bowie and Barbra Streisand are just a few of the A-listers who wanted to work with him. The voice of Luther Vandross has been called "flawless" and "as smooth as silk." It's been known to create an atmosphere of pure romance: For many years, Vandross was the go-to singer for when you wanted to get in the mood. Luther Vandross' legendary voice has been called "flawless" and "as smooth as silk."
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